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...but it's 2:37 and you know what that means.
brutal unflinching violence!
I suppose it says something about Murali K Thalluri's 2:37 that I keep thinking about it. I just wish Thalluri hadn't of blatantly copied Elephant's aesthetic style (long continuous shots, time shifts, operatic score) because there is definitely some great stuff in there. I mean, as much as the film apes Elephant, there's no denying that Elephant had a great style and it comes up trumps here too. There's also no denying that these actors, Teresa Palmer, Marni Spillane, Sam Harris, Joel Mackenzie, Clementine Mellor, Charles Baird and Frank Sweet, do very good stuff when you consider the only role that any of these seven people had prior to this movie was Palmer's illustrious debut as "Pool Party People" in Wolf Creek.
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But, like so many movies this year with ensemblish casts (well, there's this, Little Miss Sunshine, Fast Food Nation and especially Babel), the film has too many strands and then doesn't finish them. It was downright insulting to give viewers the Teresa Palmer storyline to just end it without any explanation (same goes for those other movies. What happened to all these people?!)
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That brings up another question. Did 2:37 deserve the harshest rating possible (for a non-porno flick) or is the R18+ rating keeping it's intended audience from seeing the film.
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Aagh. This movie is so frustrating. But, I suppose, that's a good thing in this day and age that a movie can incite debate such as 2:37 has. Still, Elephant was much better. Final Grade, after much deliberation, B-. 2:37 is available now on DVD in Australia.
By the way, I did randomly decide to write this entry purely because I looked at the computer clock and it was 2:37.
2 comments:
Save yourself
www.nolimitschurch.blogspot.com
why elephant beats the shit out of 2:37:
http://www.youtube.com/watch?v=_d_YMLwR33g
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