Showing posts with label American Dreamz. Show all posts
Showing posts with label American Dreamz. Show all posts

May 6, 2007

UMA 2006: The Worst

*This segment, the first, is now complete.*

**Please be aware that I have tested these entries using 1024x768 resolution on either Internet Explorer or Firefox. It looks fine from my computer. If the pictures and text aren't alligned (you'll know if they're not) or if they're scattered all over the place please let me know what browser/res you're using and I'll try to fix it.**



Unlike my Top 5 films of the year, there is no common theme that links the five worst movies of 2006. Other than they're all dreaful. They're all bad for different reasons. One makes absolutely zero sense no matter how you look at it (that would be The Lake House). Another was just a mess that clearly suffered from the makers not knowing how to even make a film (thank you Freedomland). The third worst is bad simply because the lead performance is so bad that it drags the rest of the already-poorly made film down with it (take a bow Colour Me Kubrick). The two worst movies of the year truly did reach the lowest of all the lows. In the end I gave them both F grades because they failed on every single level.

American Dreamz fails for, among other things, not even knowing it's own concept. If you're going to do a satire on both television music reality programs and politics, it's probably a good place to start by actually watching a few episodes of American Idol and, hell, even an episode or two of The West Wing. Get a mild understanding of what you're doing. Paul Weitz has even gone on the record to say he had never watched Idol before writing Dreamz so it makes sense that for some reason he thinks the entire globe is interested in AMERICAN music contests and that the season finale of the biggest-rating show on the planet would, somehow, go to air with only one ad break. Plus, ya know, the rest of the film is a hunk of junk, but it's all just so uninformed.

The worst however was Footy Legends. I find it fitting that in a year where I am going to crown and Australian movie as the very best of the year, that the very worst should also be Australian. Using every single possible cliché you can think of for the inspirational sports drama sub-genre, Footy Legends then adds a few more just for old times sake. I almost want people to see it just so they can spot them. It's a terrible movie and rightfully earns my title as the worst film of 2006.


Outside of those five titles however, there were plenty of other stinkers. How about the nigh-unwatchable Jackass Number Two? Or the insulting Another Gay Movie? I was bored silly throughout Basic Instinct 2, so much so that when it came to the Worst Actor and Worst Supporting Actor categories I decided to not include any of the men because I don't remember a single one of them. Aussie Project Greenlight winner Solo was another cliché-fest, as was The Last King of Scotland and Just My Luck. V For Vendetta and Hostel are adored by many, but not my me. They're unfocused and messy. And Trust the Man was a sexist load of garbage. The less said about others titles such as The DaVinci Code, Idlewild and Aussie documentary Raul the Terrible the better.

And the dishonours go to...

WORST PICTURE




American Dreamz








Colour Me Kubrick








Footy Legends








Freedomland








The Lake House






GOLD
Footy Legends
SILVER
American Dreamz
BRONZE
Colour Me Kubrick



WORST DIRECTOR


Khoa Do
Footy Legends
On the side of nausea-enducing sentimentality and cliche-ridden monotony, Do shows absolutely zero skill in directing actors, action or anything resembling a movie in general.



Kevin Macdonald
The Last King of Scotland
Turns are thoroughly interesting story into a crass and needlessly hysteric Hollywood-ised thriller. Some were taken in, I most certainly was not.


James McTiegue
V For Vendetta
Showing no skill in directing, he mishandles the action scenes (slow motion when it shouldn't be, hyperactive cutting when we want to see more), mishandles dialogue scenes (lengthy closeups of an inatimate mask) and heavyhands the "message".



Joe Roth
Freedomland
Roth creates a jumbled mess that closely resembles the riots in the film. Actors on various levels of ACTING and poorly handled plot twists with the hysterics up to 11.



Paul Weitz
American Dreamz
Insulting every single audience member with his non-knowledge of the subject he is sending up, Weitz loses tonnes of credibility in this very unfunny satire.


Dishonourable Mentions: Alejandro Agresti can't save The Lake House, Brian Cook can't liven up the proceedings of Colour Me Kubrick, Michael Caton-Jones probably gave up after one day on Basic Instinct 2, Eli Roth misses the point on Hostel and Ron Howard must've been transfixed by Tom Hanks' hair instead of directing The DaVinci Code.

GOLD
Paul Weitz for American Dreamz
SILVER
Khoa Do for Footy Legends
BRONZE
Kevin Macdonald for The Last King of Scotland


WORST ACTOR


André Benjamin
Idlewild
He may have presence in his music, but considering he barely sings any decent songs in Idlewild Benjamin doesn't pass the "leading man" test.



Anh Do
Footy Legends
Do is straining incredibly hard to reach the simplist of emotions. Oh! He's squishing his face up. He must be angry... or sad... or confused...



Hugh Grant
American Dreamz
I know he's playing someone smarmy and sleazy, but my god he is sleepwalking and doing a terrible job at it.




Tom Hanks
The DaVinci Code
One word that I keep coming back to is "ridiculous" and that's exactly what this is. And, yes, the hair is terrible. Surely a new low for Hanks.



John Malkovich
Colour Me Kubrick
An incredibly embarassing performance by Malkovich. He spends the entire movie doing a bad sendup of some tragic camp queen with the limp wrist and the boa and it's just all too much. Turn it down.

Dishonourable Mentions: I wrote in my notes that David Morrissey was bad in Basic Instinct 2, but I honestly can't for the life of me remember a single second of him or even what he looks like. Keanu Reeves gives a typically dumb performance in The Lake House while Samuel L Jackson huffs and puffs in Freedomland.

GOLD
John Malkovich for Colour Me Kubrick
SILVER
Anh Do for Footy Legends
BRONZE
André Benjamin for Idlewild


WORST ACTRESS

Kate Bosworth
Superman Returns
Completely unbelievable, completely wrong for the part and completely flat in all her deliveries. Did they not want to cast someone who had more personality than Brandon Routh (Superman himself)?


Marcia Gay Harden
American Gun
A terribly fussy reworking of her amazing Mystic River performance. Yakking away incessantly and doing her now well-worn depressed mopey face.



Julianne Moore
Freedomland
Much like Malkovich in the Actor category, this is purely embarassing career-nadir work by Juli Moore. I was rendered speechless for a while by how awful it was. I'm, obviously, not so speechless anymore. It's terrible.


Sharon Stone
Basic Instinct 2
It's as if everyone knew they were making a dog of a movie yet went on with it anyway. Sharon looks bored and tired and tries to get as much miliage out of the silly dialogue as possible - "I may never come again!"

There were only four performances bad enough! I didn't see Miss Potter, Super Ex-Girlfriend or other obvious choises. And I'm giving Lindsay a free pass. Yes. And I don't care what you say. It really was a great year for women though. I was even tempted to not put Stone on there.

GOLD
Julianne Moore for Freedomland
SILVER
Marcia Gay Harden for American Gun
BRONZE
Kate Bosworth for Superman Returns


WORST SUPPORTING ACTOR


Paul Bettany
The DaVinci Code
I'm not really sure what exactly it was that Bettany was doing, but it wasn't good. Like some psycho-warped Villain 101 or something. But he's failing.



Billy Crudup
Trust the Man
He's stuck with the movie's worst character, and his dialogue is terrible, but Crudup doesn't try to make his character even into a "lovable larrikin" kind. He just makes him a pig.



Linal Haft
Solo
Talk about A-C-T-I-N-G. Haft breaks into so many sweats in Solo purely from yelling and screaming so much. I was just wanted him to shut up!



Terrence Howard
Idlewild
Could Howard at lead have tried to act? Please. It's not that much to ask. Because all we're left with is a very bored man doing a lame evil schtick.



Kiefer Sutherland
River Queen
Oh god. It doesn't help that Sutherland's accept is so thick I could barely understand a word out of his mouth, but he also screams a lot and in general just acts like a deranged lunatic. Not the good kind, either.

Dishonourable Mentions: Both David Thewlis and Heathcote Williams were, my notes tell me, dreadful in Basic Instinct 2, but WHY?! I can't remember a single second of them. The Entire Male Cast of Footy Legends (mostly people who's names I don't know/care about plus Angus Sampson) infuriated me to no end. Owen Wilson just screamed a lot in Night at the Museum, while Ricky Gervaise was improvising badly (from the looks of it) in the same flick. Jonah Blechman was acting to the back row in Another Gay Movie.

GOLD
Linal Haft for Solo (he sent me hate mail!)
SILVER
Kiefer Sutherland for River Queen
BRONZE
Terrence Howard for Idlewild


WORST SUPPORTING ACTRESS


Marcia Gay Harden
American Dreamz
Needless to day, Harden had a rough year, especially in movies with "American" in the title. So one-note it hurts, Harden's First Lady character is annoying in every aspect.



Sarah Polley
Don't Come Knocking
It's a good thing her directing career is going gang-busters because after several performances threatening it, she has finally performed what I thought impossible - She has done a performance entirely in a coma!! Way to go!!


Missi Pyle
Just My Luck
Something about this performance irritated me because I wrote her name down but so many things in that movie were so insta-forgettable that she's here due to lack of options.


Charlotte Rampling
Basic Instict 2
This ridiculous french lesbian role is such a throwaway that nobody could have made it work, not even the usually-ravishing Rampling.



Tracie Thoms
The Devil Wears Prada
Yes, she has the worst character in the movie, but she doesn't really try very hard to make her anything more than a stock one-dimensional friend role. Being the sassy one isn't character.

Dishonourable Mentions: I considered putting Claudia Karvan in here for Footy Legends, but it's not her fault really. I also considered Gong Li for Miami Vice purely because I wish if she intends to really try and start making more films in English then she oughta get a better dialect coach. I didn't think she was that bad, but almost nobody else I know could understand her. Poor girl.

GOLD
Marcia Gay Harden for American Dreamz
SILVER
Sarah Polley for Don't Come Knocking
BRONZE
Charlotte Rampling for Basic Instict 2


WORST PERFORMANCE BY AN INANIMATE OBJECT


The Fake Baby Doll
L'Enfant
If that thing was meant to look real then they did a piss-poor job of it. That thing didn't look real for a second.



WORST CINEMA TREND


I gotta tell ya, I am sick of all these multi-narrative films that don't finish what they started. This year alone we had Aussie suicide drama 2:37, the internation Babel, the seemingly-made-for-tv American Gun and the book adaptation Fast Food Nation. They all had interesting parts, but they also all had uninteresting parts. Oh, if only I were an editor. I would snip out the "uneven steven" storyline of 2:37 and expand on the Teresa Palmer storyline. Babel may've been great if it were all about Rinko's storyline. American Gun should have just followed one or two of it's four storylines and Fast Food Nation could have easily just been one film focused on illegal immigrants (the most interesting storyline). Each movie had tangents and characters that didn't help the movie to be anything other than longer. And all of them had unfinished business. All four pictures essentially dumped the third acts for most of the story strands. What happened to Brad and Cate when they got home? What happened to Teresa Palmer after that day at school? Where did Greg Kinnear go halfway through the film? How did the kids get on in American Gun. I wanted to know, but these directors didn't want to tell me. They wanted me to see the suffering and the immediate after effects but nothing else. Come on people. Lift your game!

October 8, 2006

2006 Reviews

No, not 2006 actual reviews (I haven't even seen that many!), but here's some capsule reviews for some 2006 movies, only one of which is of importance, but I'm bored.

Little Miss Sunshine (dir. Dayton & Faris) - A charming little road movie that I just know will be one of those movies. The ones that when I'm bored I will go "hmmm, I'll watch Little Miss Sunshine". It's not brain surgury sitting through this movie. Performances are all great, I particularly loved Steve Carell. Abigail Breslin was adorable but was also a generally fine performance (that justifies the Oscar buzz). Toni Collette is yet again doing her always lovely every-woman act. Alan Arkin is a hoot as the foul mouthed grandpa and Greg Kinnear and Paul Dano round out the family with solid but unshowy performances. Writing is superb and the film looks great. It's not the sort of film that you find yourself laughing constantly throughout (although there are a few laugh out loud moments), but it sticks with you. My only concern is with the final act. Yes, the film comes out against beauty pageants quite strongly, but I'm not sure if grossing out the audience was a good movie. If you're going for "charming family dramedy" why feature of scene of grotesqueness? Still, it was a good way to spend an hour forty minutes. B+

Scary Movie 4 (dir. Zucker) - Okay, I don't care what you say, but the original Scary Movie was hilarious for me as a 15-year-old (it actually holds up quite well) who had religiously watched all the horror movies that came out in the wake of Scream. Scary Movie 2 on the other hand is one of the worst movies I've ever seen. Scary Movie 3 and Scary Movie 4 are very similar. Both directed by Jerry Zucker, they both feature 100 skits per minute with only a few hitting the mark). However, Scary Movie 4 gets a few extra points for being a bit more on-the-ball. I'm glad they recognised the complete and utter stupidity of War of the Worlds (seriously bad filmmaking there Mr Spielberg) and how fucking annoying that white-faced kid from The Grudge or the stupid tricycle-riding weirdo from Saw were. I sat for stretches of this movie nodding my head going "Yes! That's what I thought!" Don't get me wrong, it's not good filmmaking, it's really quite lazy, but if you dislike the movies that are prominent you'll get a good few chuckles out of it, which is essentially all the filmmakers are going for. For whatever reason, the bit that I got a big proper laugh out of was the random Hustle & Flow bit and an extended Million Dollar Baby spoof. Thankfully thought there are actually some good lines in the script that are probably funnier due to seeing the actors rattle them off without batting an eye. "Brenda?" "Cindy! It's been so long" "Yeah... I thought you were dead." It's true, she did die in the last three movies. What on earth was Jeff Daniels doing here though? C+

When a Stranger Calls (dir. West) - I was originally quite excited when I heard they were remaking When A Stranger Calls as the 1979 original (starring Carol Kane as the terrorfied babysitter) was about as scary as a box full of old dishrags. But something weird happened on the way to the multiplex. The makers forgot to film the last hour of the movie! The original featured the young babysitter getting scary phone calls and all that jazz, in a scene much like the opening of each of the Scream franchise. Then it jumped forward many years later when the same babysitter was now married with children and starts thinking the same man is after her again. This "remake" actually only remakes the first 10 minutes and stretches it out to 80 (and even that is too long). It runs out of things to fill in the time, and what they do have there already isn't exactly mindblowing. Shame, really. The production design is wonderful (that house is stunning), the score would be effective in a different movie (one that was actually scary) and Camilla Belle is definitely easy on the eyes and at least tries to keep the film's head above water. But in the end, we know absolutely zero about anything. None of the characters (including the mystery man voiced by Lance Henriksen surprisingly, but acted by Tommy Flanigan) are particularly interesting, the scares are pretty much non-existent and the end is ridiculous. However, for what it is I certainly didn't hate watching it like I did with unbelievable crap like The Grudge. C-

American Dreamz (dir. Weitz) - Okay, a major peeve of mine when it comes to movies is when they feature performances on a stage that don't make sense in the physical world. Like, when I'm sitting there going "if I was in that audience, that would be impossible". Sometimes it's incredibly frustrating (Centre Stage), other times it's hilarious (Stayin' Alive). Here it made me angry. It's not so much that there we, the audience, are seeing things that would be impossible, it's that we're seeing things that are a shit.


So, apparently this "American Dreamz" TV show is the most watched show in the entire world (why on earth would people care about an American talent contest in Iraq?), yet I don't see any evidence to show me why or how. Hugh Grant's character hosts the show and is the sole judge and he is so completely dull. The talent is bad (he keeps bad singers in for ratings, but if there are so many disaster contestants people won't watch) and the set is boring. The format of the show too is confusing. Apparently the 50 (50!!) performers are on it. Do people vote for those who get kicked out or just for the finale?

And then there's the fact that Weitz has absolutely ZERO understanding of Idol type programs and politics in general. None. Zip. Nada. It should come as no surprise that IMDb trivia says "Writer/director Paul Weitz claims that he wrote the original draft of the "American Dreamz" script before he had ever watched an episode of "American Idol"." People aren't gonna vote for somebody that is blatantly bad. The crowd reactions are completely wrong (these audiences will scream their knickers off at even the slightest high or extended note) and there is no way in hell that the finale of the world's most watched TV program would go to air with only one commercial break. Presidential judge or not. And what's up with the White House scenes? That is seriously gotta be the quietest White House ever on film. I think there were two people walking around that place.


And then there's the performances. Hugh Grant is abysmal. Truly astonishing how bad he is. Dennis Quaid, Willem Dafoe and Marcia Gay Harding are annoying playing real-life people disguised as fictional ones, and all the contestants are just non issues. The only one I liked was the gay wannabe contestant. At least he had some enthusiasm. "You move like a reanimated corpse in a zombie movie". Paul Weitz, you stupid stupid man. Do some fuckin research before you make a movie. Disgraceful. D-