The Descent was, despite its flaws - such as two dimensional, almost interchangeable heroines - one of my favourite films of the year. Tense, stylish and ohmygodIwasontheedgeofmyseat scary.
Glenn is a twentysomething freelance writer from Melbourne, Australia. Apart from this blog he is the film editor for Onya Magazine and writes regularly for Trespass Magazine. His work has appeared in The Big Issue, Encore Magazine, Forte Magazine, The Film Experience Blog and was the film correspondent for The Outland Institute radio program on JOY 94.4.
Stale Popcorn, noun, 1. A veritable cornucopia of movie geekdom, celebrity worship, Australian film discussion and all with occasional musical interludes! All wrapped up in the salty buttery taste of movie popcorn that's been sitting in the box for too long. What's not to love?
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8 comments:
I know! How awesome is it? (So awesome.) (And thank God we got the original British ending.)
I'm guessing your cursing in a good way? Because DAMN The Descent was awesome, and you need to be agreeing with me.
Simon. Thank God, indeed.
:)
Damn it, I really regret not seeing this when I had the chance.
*goes and looks up the DVD release date*
That is the perfect encapsulation of my thoughts at the end of that movie. Scary, yet scary good.
Very very scary. #3 on my list of the 10 best of 2006 so far.
The Descent was, despite its flaws - such as two dimensional, almost interchangeable heroines - one of my favourite films of the year. Tense, stylish and ohmygodIwasontheedgeofmyseat scary.
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